feet in the river
moon in the sky
that’s all
South Perth foreshore, 12 December 2019, 9pm
Proximity: the poet Jackson. Get uncomfortably close.
feet in the river
moon in the sky
that’s all
South Perth foreshore, 12 December 2019, 9pm
There once was a cat in a box
who may have been dead or may not.
There was no way to tell —
then she started to smell.
That poor collapsed cat in a box.
The monster is tres cool, uber beautiful
in moist black leather, as large as an
elephant, with four legs, firm flesh,
a dragon’s tail and grace. I do not know
whether to be afraid. It does not seem vicious
or vile. There is no stench of stagnant drains
or carrion. It smells of haemoglobin. Cambium.
Of still air among leaves.
I am standing at its left side.
Its broad wings are raised.
Upon its thorax, behind its forelegs,
level with my eyes,
I lay my right palm, fingers
pointing at the tremendous
shoulder, feeling the insistence
of a big bass heart.
The monster’s blood is warm,
but cooler than mine. Her name
is Creativity. She holds her wings
high, tenting me while I touch.
From A coat of ashes
I’ve been trying to grow wings by flying.
It doesn’t work.
If you’re a magpie chick
you need your mum,
dad, big brothers,
the whole arguing clan
to bring you food
and chase away monsters.
Your wings are ready
before your brain.
When your mum coaxes you out of the nest
she has to catch you before you hit
until you get
the hang.
After that there’s work to do.
Trees to defend.
Babies to feed.
If you’re a caterpillar
and you’ve had some luck
chewing leaf, evading beak,
you need a safe corner
and time to spin.
It’s quiet
and it takes
a while. When
you fly it just
happens. Then your whole thing
is to mate. Longing,
bliss. A week or two
in the air. A special place
for the soft split of laying.
Then floating away on what’s left
of the wings. Drifting
out, shattered to quarks.
From A coat of ashes